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| # | Title | Time |
|---|---|---|
| 1 | The Black Knight, op. 25: Scene I "The Tournament". Twas Pentecost | 6:09 |
| 2 | The Black Knight, op. 25: Scene II "The Entry of the Black Knight": a. To the barrier of the fight | 2:47 |
| 3 | The Black Knight, op. 25: Scene II "The Entry of the Black Knight": b. When he rode into the lists | 3:57 |
| 4 | The Black Knight, op. 25: Scene III "The Dance": a. Pipe and viol call the dances |
| 5:18 |
| 5 | The Black Knight, op. 25: Scene III "The Dance": b. Doth with her the dance began | 3:17 |
| 6 | The Black Knight, op. 25: Scene IV "The Banquet": a. To the sumptuous banquet | 2:51 |
| 7 | The Black Knight, op. 25: Scene IV "The Banquet": b. Twixt son and daughter | 4:04 |
| 8 | The Black Knight, op. 25: Scene IV "The Banquet": c. Each the father's breast embraces | 3:37 |
| 9 | The Black Knight, op. 25: Scene IV "The Banquet": d. Woe! The blessed children | 4:12 |
| 10 | Scenes From the Bavarian Highlands, op. 27: I. The Dance (Sonnenbichl) | 3:53 |
| 11 | Scenes From the Bavarian Highlands, op. 27: II. False Love (Wamberg) | 4:23 |
| 12 | Scenes From the Bavarian Highlands, op. 27: III. Lullaby (In Hammersbach) | 3:54 |
| 13 | Scenes From the Bavarian Highlands, op. 27: IV. Aspiration (Bei Sankt Anton) | 3:10 |
| 14 | Scenes From the Bavarian Highlands, op. 27: V. On the Alm (Hoch Alp) | 3:33 |
| 15 | Scenes From the Bavarian Highlands, op. 27: VI. The Marksmen (Bei Murnau) | 6:07 |
