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| # | Title | Time |
|---|---|---|
| 1 | Three-Page Sonata (1905): Allegro Moderato | 2:04 |
| 2 | Three-Page Sonata (1905): Andante | 3:16 |
| 3 | Three-Page Sonata (1905): Allegro - March Time | 2:38 |
| 4 | Study No. 6 (1907-09) | 4:22 |
| 5 |
| Study No. 7 (1907) |
| 2:58 |
| 6 | Study No. 8 (1907) | 1:51 |
| 7 | Study No. 9 "The Anti-Abolitionist Riots" (1907) | 3:19 |
| 8 | Study No. 15 (1907-1909; 1920s) | 4:05 |
| 9 | Study No. 16 / 19 (1907-1909; 1902s) | 2:15 |
| 10 | Study No. 23 (1912-1914; 1920s) | 4:07 |
| 11 | Set of Five Take-Offs (1906): I. The Seen and Unseen or Sweet and Tough | 2:55 |
| 12 | Set of Five Take-Offs (1906): II. Rough and Ready or The Jumping Frog | 3:06 |
| 13 | Set of Five Take-Offs (1906): III. Song Without (good) Words | 3:17 |
| 14 | Set of Five Take-Offs (1906): IV. Scene Episode | 2:12 |
| 15 | Set of Five Take-Offs (1906): V. Bad Resolutions and Good One | 0:57 |
| 16 | Study No. 20 (1920s) | 7:31 |
| 17 | Study No. 22 (1909) | 1:57 |
| 18 | Study No. 21 "Some South-Paw Pitching" (1917) | 2:48 |
| 19 | Evocations, Four Chants for Piano (1937-1954): I. Largo (To Harriette Miller) | 2:01 |
| 20 | Evocations, Four Chants for Piano (1937-1954): II. Andante con fantasia (To John Kirkpatrick) | 2:51 |
| 21 | Evocations, Four Chants for Piano (1937-1954): III. Moderato appasionato (To Charlotte Ruggles) | 1:37 |
| 22 | Evocations, Four Chants for Piano (1937-1954): IV. Adagio Sostenuto (To Charles Ives) | 3:32 |
